Where to Go from Here?

I haven't been regularly keeping up with the blog...some of you would say, "Well, when *were* you, Jill?" ~wry smile~ I never seemed to have enough time for it. And now, suddenly, it seems a somewhat old and clunky format to share with you, friends and followers. I've been much more active on Facebook and Instagram than I have here, posting photos of new designs (almost) as soon as they're created.

And I've struggled with keeping up with making new designs - not for lack of designs, but for lack of time...same old, same old. Only so much two hands can do....which doesn't leave a lot of time for writing (hopefully) interesting blog content.

While I don't want to shut down the blog entirely, I think it's going to be much more photo-focused with less text. This may end up redundant for those of you who follow me on Instagram or Facebook, and if so, I apologize. But there's just never enough time...and my main love is the making, not writing about, the jewelry. :)

So, without further ado, let me share the Sweet Somethings creations:

These came about because while I've been pushing myself to design bigger and bolder, I also wanted something on the other side of the spectrum. Something sweet, and wearable for everyday, if so desired. Something smaller than my usual designs, that would layer with other necklaces...like little dollops of sweetness around the neck. :)

They've actually turned out to be quite fun to design and make, because they come together much more quickly than the big statement pieces. I can make up a batch and feel like I've gotten a lot done, instead of taking days at a time for the larger  and more complex designs. And they still hold true to my design aesthetic of balanced asymmetry. 

From top to bottom: chrysocolla, druzy, larimar, peruvian opal, shattuckite, turquoise, druzy. 

They are available here: blue piranha web site and here: blue piranha on Etsy

Tucson Gem Show 2015, Part III

In my last post, I shared a little about struggling to find the "right" gems - right heights, right quality, right price. Today I'll share some gems that seemed abundantly available for me this year...the Peruvian opals.

Last year I'd bought a big ol' bunch of pendant-sized gems, and a few pairs for earrings. As it turned out, the pendants moved much more slowly than the earrings. By the end of the year, I was nearly sold out of earring gems. So this year I was on a big mission for earring pairs, and I hit a motherlode.

The photo above is just a random sampling of my haul. Most of the gems not shown are smaller, but all of these gorgeous beauties will make stellar earrings. And they're not heavy, thick cuts. And they're LOVELY. I love my turquoise, but seeing a whole bunch of Peruvians together makes me really, really happy. :)

Since I still had a few pendant gems left, I told myself I could only buy what really, truly made my heart sing. I try to do that anyway - choosing what I consider only "the best" makes it easier to cull through the thousands of gems I view at the shows - but this year I was super-picky about non-earring-sized gems.

I did find these:

which I adore for their translucency (though I usually prefer more opaque color) and their organic shapes. And these:

which hit me right in the gut. I knew they were definitely worth a little splurge. :)

Nearly all the Larimar in yesterday's post, and all of the Peruvian opals from today's post come from the same gem dealer. In years past. they've had displays at three locations in the Tucson Gem show; this year they consolidated to just one. Which made things a little easier and a little more difficult, because I went out of my way to one specific show just to see them, and spent the previously mentioned three hours looking through tons and tons of gems. It's a huge time-suck, because there are so many other places I need to get to - but it's utterly worth it.

I also found just a *few* pairs of boulder turquoise for earrings. The mine for these closed several years ago, and all the rough has been cut up, so new stock in these patterns are nonexistent. But in digging through the bins, I did come across these:

they were hidden away at the bottom of a bin. And now they're safely here in the studio.  :)

Back Glancing, Forward Looking

The last three years have seen a huge transformation, both personally and professionally. I've grown, shed some things that weren't working, am in the process of shedding more, opened myself up to a world I didn't even realize I existed (and it has been more rewarding in ways I could never have imagined), stretched, risked, gambled, stumbled, cried, lost, fallen...and gained...and loved and been loved so very greatly I can hardly believe it.

What a whirlwind! It culminated in the last two months of 2014 being utterly exhausting, finding myself stretched as thin in some ways as I ever have been, barely able to rally by the end of the year, eventually giving in to illness, physical pain, frustration.

But this year...I'm not sure why, but 2015 feels like hope, to me. The pain isn't gone, the struggles still exist, but there has been a fundamental shift slowly building over all this time, and it's coalescing in so many ways. I feel clearer, cleaner, stronger, more determined and ready to move forward than I have in a long time. Soaking in life and lessons like a thirsty sponge, planning, thinking, deciding...choosing paths and setting strategies.

One of 2014's trials-and-errors that worked...Peruvian opal earring fancies. :) 

It's been about six weeks since I've laid my hands on any metal, lit the torch, set any gorgeous gems. That's a long time for me...and yet, it's been necessary. Jewelry fabrication is physically hard on the body. And sometimes it's hard on the mind. And last year I ran, and ran...from one event to another, feeling overwhelmed even before the year began, tired, drained, wanting to do so much, and in reality, able to achieve so little.

A personal favorite from last year. Royston turquoise and amazonite.

And though I can't predict, or control, what will happen with my own physical abilities this year, I am restructuring things a bit to hopefully compensate for my limitations, allowing for a creative atmosphere and a lot of forward movement, an open doorway through which so many lovely treasures will come into being and much happiness will be shared.

I wonder how these will develop...interconnected pieces? Scattered gems? Time in the studio will tell... 

I hope you all have a very marvelous 2015, that you climb, and stretch, and move forward in your own ways, by leaps and bounds and that you thrive. That you resonate with happiness and fulfillment. I suspect you will...it seems like that kind of year. :)

Be well!

-Jill

Ev-Uh-Loo-Shuh-N

Several months since I've shared here...several tumultuous, roller-coaster-of-emotions, crazy-train-riding months.

And I don't even want to discuss them...the details still hurt. I will tell you that there's been a big, and unexpected, betrayal of sorts (emotionally at least). Promises made and not kept. Professionally, my skills and abilities derided. A dismissal. Heartbreak.

It sounds so dramatic...and some of it has been. I try to live a very no-drama life, striving to enjoy the moments, both large and small, that life presents: sunshine stealing across the bed in the mornings, the absolute silence of the neighborhood and house in the middle of the night, the temperature dropping several degrees as fall approaches (or rising a good bit as summer arrives). A new pair of shoes for my birthday. Unexpected moments of bliss.

The disruption of the life I strive to create, the atmosphere in my home, the surroundings in which I design, has been difficult. Interestingly though, I think it has fostered a bit of growth, an evolution (or at least expansion) of what I'm creating. Which didn't happen all in the last few months, of course. Often it's only by looking back in the distance that we can see the changes more clearly.

In April 2013, I started with this:

A simple design, born of my desire for three things:

1. to allow the beautiful, colorful gems I love to be the focal point of my designs.

2. to practice my side-by-side soldering skills, which sorely needed work

3. to Keep It Simple, both a design and a life mantra for me

The pendants above sold immediately, as did several others in the same style.

It could have been the turquoises. I'm well aware that some of my customers buy these creations because of the gems. Which is totally fine - that's part of my own love, and what I enjoy buying and using in my designs. But since I started this collection, I've had comments and compliments on the metal work, too...which as you can see by the photos above, wasn't exactly complex. That doesn't mean it's easy, because it's not. But it wasn't crazy, bold, or grand.

What I wanted, originally, and what my skills could accommodate at the time, was gem-focused items with some metal detail. I didn't want to just have plain cabs with a bezel around them. I wanted more. This was my solution.

But always, while I am designing, I am thinking about, "What else? What's next? How would I...? and What if?" It's a striving, a curiosity that never ceases.

The next step in the evolution was to make the metalwork more complex:

From last fall. More joins, more wires to shape, more playing with asymmetry and balance...

and then to this summer:

Pure Heart Necklace  and Waterways Necklace

Adding more gems, still playing with balance (I'm always playing with balance. My love of asymmetry can get carried away if I let it). :)

and then, to this:

Dare to Imagine

Oh yeah. Taking a big ol' hunka hunka gem and embellishing all the way around it...and then adding embellishments as stand-alone design flourishes, to build a handmade chain. NOW we're talking.

Also, I think I may be moving out of the "keep it simple" realm. ~wry smile~  It's still a part of how I approach design, but sometimes it's apparently good to kick it up a notch. Or three. :)

I can't tell you how happy the above neckpiece(s) make me. It feels GOOD. And despite all the other turmoil that's been in my life, every day I can't wait to get to the studio and see what's going to happen next...I think next year is going to be an earth-shattering year...

Be well, all y'all. Enjoy the change(s) in seasons. Stretch, strive, be as drama-free as you possibly can. And when you can't, be good to yourself. Work on healing...work on happy.

- Jill 

Tucson Goodies, Part III: Peruvian Opals

Certain gems I just love in almost any incarnation. Peruvian opals fall into that category. I love them when they're a pure, sky blue, when they're slightly translucent with inclusions, and when they've got flashes of blue intermixed with brown "host rock" that makes them look like landscapes.

They're not an inexpensive stone - blue Peruvian opal is found in just one place: the Andes Mountains, in Peru. Like most relatively rare stones, it commands a relatively big price. And sometimes, as with most varied-color stones, you lose some of the patterns in smaller cuts. So this year I went a little bigger in my selections:

This is an example of a Peruvian with that great, sky-blue coloring. You can see bits of the host rock embedded within the blue color, but it certainly doesn't detract from such a beautiful cabochon. The length of this gem is about 1 3/4 inches - definitely a statement gem.

This is a great example of a more translucent opal. The soft hue combined with tan and a bit of black are lovely together.

These gems are some of my favorites - the "land and sea" stones. Great color, interesting detail, landscape-like variation.

And finally, the Mother of all opals:

It measures just under 2" long and is over 1/2" wide. I love the unusual cut and the landscape detail. It will be a bit more of a challenge to bezel (making larger bezels in general is harder than smaller bezels, plus it has two sharp corners which will be more difficult to set), but I'm very much looking forward to designing for this stone!